Bill Delzell is trying to track down who took thousands of high-quality photos in the late 1960s in San Francisco and left the vast collection abandoned in a storage unit. The images include protests of the Vietnam War, the music scene with Jerry Garcia, and young people gathered in Golden Gate Park for the Human Be-In.
A commercial photographer himself, Delzell became interested in the mystery two years ago. Today, he is championing an effort to identify the person behind the camera and share the work broadly, including providing public access to the collection through the Internet Archive. He launched a Kickstarter campaign, “Who Shot Me — Stories Unprocessed” to help uncover clues and locate the photographer. Photographs shared on social media have attracted over 1.5 million views and the Kickstarter effort is advancing to its $49,000 goal. “It’s been quite a ride,” he said. “I think of myself as an advocate for this unknown photographer.”
So far, about 5,700 photos from 1966 to 1970 on black-and-white film and color slides have been developed ; another 75 rolls of 35mm film remain unprocessed. The images were discovered in the 1980s and passed hands through several dealers before Delzell was introduced to them through a friend.
“After turning a few pages in the collection, I had this overwhelming sense of loss,” said Delzell, 67, who worked as a photographer for over 30 years in San Francisco and now runs SpeakLocal.org, a nonprofit in Sacramento. “The idea that a person could devote five years of their life capturing so much of such an iconic era, and then to have become separated from it … my mind was spinning. I left with an awareness of the importance of the collection and preoccupied with how we could reconnect the photographer with their work.”
Now, his dream is to raise enough money to complete the restoration and uncover the mystery of the gifted photographer. The images would be of great value to educators, he said, teaching about that tumultuous time in American history.
“There is historical significance of the work,” Delzell said, who went to protests in the 1960s with his activist parents. “The idea of a community coming together to search for the identity of this individual, as well as individuals in the photograph, is what appeals to me. We’re still at a time where a lot of the people in those images are alive, and they can share their stories.”
Resources
– Kickstarter campaign: Who Shot Me — Stories Unprocessed
– Reddit: /WhoShotMe
Delzell has involved young people through his nonprofit organization dedicated to project-based learning. They are helping to scan the images and create a database through paid internships or school credit. The aim is to develop an interactive tool, and perhaps a book or documentary about the photos and quest for the photographer.
Once the work is shared with backers, Delzell wants it to be available to all on the Internet Archive. His plan is to preserve the collection and make it accessible with the public interest in mind.
Delzell credits the enthusiastic response to the project to the phenomenal era when the photos were taken.
“If you think about any moment in the history of humankind, there’s probably never been a time that has had such a transformational impact on culture as the 60s,” he said. “To be able to dive into 8,000 images – all captured through the eye of one individual – is unique. Educators can add the images to their curriculum when they’re talking about subjects like the Civil Rights movement or the Summer of Love or the counterculture movement. It just really represents a great opportunity.”